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Of course, making a movie this effortless is hard work. The greatest joy in Alfred Hitchcock’s spy caper is how effortless it all feels: a gliding magic-carpet ride from New York to Mount Rushmore, via Chicago and a Midwestern bus stop, as Cary Grant’s ad man suffers a potentially fatal outbreak of Wrong Man-itis. If there’s a thriller out there more exhilarating, sexier or packed with iconic moments than this one, we’ve yet to see it. Written by A bbey Bender, Joshua Rothkopf, Phil de Semlyen, Tom Huddleston, Andy Kryza & Tomris Laffly On the list? Murder, political intrigue, espionage, conspiracy, manipulation, gaslighting and, of course, crime.
It is, unlike many of its ill-fated characters, alive and well.īut what are the very best of them? As we’ve done with science fiction, horror films, romances, comedies, westerns and war films, we’ve dusted cinema for prints and taken a magnifying glass to its finest thrillers to boil them down to a tonne of all-timers. Even superhero flicks, like Captain America: Civil War and The Batman, have been borrowing liberally from the crime thriller. Fincher’s Seven and Zodiac have carried on the legacy, while films like Pig, Nightmare Alley and The Card Counter show that the thriller is the genre for all eras. With masterful control of those elements, Hitchcock could manipulate his audiences like puppets on a string, delivering shocks that reverberate through cinema history. Thrillers show us horrors and weave in human dramas, but they use those raw materials to forge something particular: a sense of unease and suspense. From the early classics, like Alfred Hitchcock’s The Lodger or Fritz Lang’s M, to the films of David Fincher and Martin Scorsese, they’re rich in nerve-shredding, adrenaline-pumping rides into the darker recesses of the psyche. And if you don’t believe us, there’s a suspicious figure in that darkened doorway who’d like a word.
Everyone has their favourite genre but we can surely all agree that thrillers are the best.